通知:请牢记80s新网址 i80s.whwenfeng.com    请记住我们只提供高质量的手机影片和(720P.MKV,1080P)片源下载(欢迎吐槽
当前位置首页 > 电影 > 剧情片 > 不安1954
不安1954
 

不安1954



又名: 高清
演员: 英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特
类型: 剧情片导演: 罗伯托·罗西里尼 地区:西德 更新时间: 2022-12-12 上映日期:1954
  •  高清手机电影MP4下载
 说明:本站视频适合所有智能手机或ipad,电脑等设备播放
不安1954在线观看:
下载小贴士:
1.80s手机电影站提供《不安1954》80s手机电影免费下载和内容介绍。
2.《不安1954》80s手机电影下载资源格式为老实手机mp4格式和智能手机mp4格式,便于手机或ipad等设备播放!
2.《不安1954》80s手机电影下载提示:720p和1080p资源大多无字幕需要去专业字幕站下载字幕后,外挂字幕观看.
3.《不安1954》80s手机电影下载的下载链接地址和图文介绍均收集自互联网,本站不参与其制作和录制。
4.本站采用智能下载技术,下载《不安1954》80s手机电影下载的人越多速度越快,马上邀请你的好友一起下载吧!
影片介绍:
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
◎本站下载: 30
影片评论:
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the oth